The R-1000 is based on REAC (Roland Ethernet Audio Communication) and eliminates the bulk and noise susceptibility typically associated with analog snakes and replaces it with Cat5e/6 (Ethernet/LAN) cable.
Records in Standard Broadcast WAV Format
R-1000 Features
Records in Standard Broadcast WAV Format
• Records up to 48 tracks of 24-bit audio in BWF format
• Removable Hard disk drive ensures smooth integration with DAWs
• Approximately 20 hours recording (44.1/48 kHz) using 500GB HDD
• Stable and reliable capturing live audio
Multitrack Playback for a Variety of Applications
• Plays up to 48 tracks of 24-bit audio via REAC
• Data can be loaded from external devices
• Marker function enables playback at any designated point
• Analog monitor output and a headphone output
Flexible Enough to Fit into any Configuration
• Connect with any V-Mixer and control directly from the console
• Connect with any REAC Digital Snake product
• Versatile feature set including video sync, timecode, GPI and RS-232C
• USB ports for backing up data and connecting PC for further software control
• Use with any MADI equipped console in combination with optional S-MADI
Ideal for Virtual Sound Checks, Rehearsals, Playback and Training
• Connect the R-1000 inline between V-Mixer and Digital Snake for selectable playback or record
• Channels can be set to "pass thru" live from the digital snake inputs, record live input or playback from recorder
• Run a complete sound check to tune the room in a new venue with no need for musicians to come early
• Select the musicians (channels) missing from a rehearsal and continue anyway
• Select all or group of channels for selective audio engineering training
Track Sheets
For your convenience we have provided 2 different Track Sheet options.
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Awards
R-1000 wins readers choice award from ProSound Web for best recording hardware 2012.
Read what Pro Sound Web says about the advantages of virtual sound checks.
Church Sound: "Shortening The Digital Learning Curve: Thoughts on virtual sound checks."
by Mike Sessler, Editor-In-Chief, Pro Sound Web.